Nooner

A Nooner to Write Home About

Nap Time — Perhaps

by D.Minion

risque imageWe had to be out of the office in two days, so Lucky asked me if I’d like to take Dee to The Nooner. He insisted it was because he could move heavy furniture and boxes more easily than I could, but I suspect it was so he could get rid of stuff without me there. [That may be, but she can’t prove a thing in a court of law.] I’m a bit sentimental, and the thought of throwing away ANYTHING with ANYONE I like on it is too much for me to take. I begged Lucky not to throw away anything with an autograph on it. “Right. Throw away stuff with autographs,” he smiled. “NOOOOOOOOO!” I said. He just smiled. Lucky’s a lot of things, but he’s not stupid! [Come to think of it, people have tried to prove that in a court of law. That didn’t work either.]

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The Four

Finally “Fore” on The Four

We promised our good friends over at Adam & Eve that we would sneak in a mention here that if you know where to look, you can actually get your own copy of Michael Ninn’s The Four a full couple of months before it officially becomes available. … Not to be TOO sneaky about it, we decided to go with our usual tongue in cheek subtlety, so … um … LOOK HERE to take advantage of that chance. Honestly, this came as no major sacrifice, just so you know, because we like being nice to Adam & Eve. Who knows when we might need a fig leaf, after all?

If It Feels Good …

by Nobody Special

Renee Perez in The FourWe’ve mentioned quite a few times here that when it comes to product packaging design, our dear friend Michael Ninn could suffer from what we benevolently call “Artistic Paralysis” to some degree. Many times we have been in a position to look at work in progress on cover art, and it may surprise you to learn that almost that same number of times we have been confused by the decisions regarding text. It has become shorthand in conversation here to say simply, “I was more going for the look of it,” — which means basically, “Yeah, you can’t really read it, but gosh doesn’t the design of the text lines look great in support of the (vastly higher on the importance scale) photograph?”

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Capri Anderson

A Capri-cious Storm Brewing

A Woman and a Half Man

by Tender Legal

Capri AndersonThis past week on Two and a Half Men, Charlie Sheen’s character explains that the difference between “A Date” and “A Date Experience” boils down to “about $1,500” – presumably more or less. As you probably know if you’ve been a member here for at least a couple of weeks, or have not been living under a rock, Mr. Sheen has a dispute brewing with our buddy Capri (now Capri Anderson). And despite endeavoring mightily to deny rumors of being “An Escort” Capri has apparently threatened to sue Charlie (Sheen or Harper, they seem to be pretty much the same guy) for somewhere between $3,500 and $12,500 for money “promised” her.

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Reagan Conner

Reagan Conner (No relation to Sarah.)

Flashing In Our Pan

by D.Minion

Reagan ConnerThey say there’s nothing new in porn. [Also, there’s apparently no new thing under the sun, but I’m not sure if that counts in the ocean or not. The Bible is even more confusing than Shakespeare; why couldn’t people just talk regular until about 1900? I’ve always wondered that.] And if you’re trying to create something new in porn, it has to be bigger and badder than what’s already out there. [Most everyone in adult over the last 10 years or so slowly began to ignore the process proven historically successful in long-term stability for a company, as a matter of fact, latching instead onto the “New Naked Girl Every Month” philosophy that worked for Playboy many, many moons ago. I get that gonzo product became amazingly cheap to shoot and distribute as the price of the equipment dropped, but if you compare the financial strength of Playboy with, say, Vivid these days, you’d think more people would be paying attention. Maybe there are no new things under the sun, and most of the old things under the sun remain stupid anyway. … But I digress.]

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